In my photographic series BLINK, I've crafted a collection of diptychs, capturing the fleeting nature of how we perceive landscapes and still lifes. Through rapid sequences akin to the mind's eye, I've employed digital manipulation, incorporating linear elements that infuse movement into otherwise static landscapes. The colors are digitally elevated, immersing the viewer in a hyperreal experience and establishing a dichotomy that mirrors our observation of still life amid dynamic motion.

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