I began making art as a teenager in Greenwich Village, shaped by the influence of abstract expressionists such as Rauschenberg, Motherwell, and Johns. My mother, an artist who worked with industrial materials, instilled in me an early sensitivity to process and an openness to unconventional media.

In my twenties, my practice evolved toward technology-based forms, including video, film, and photography. I earned a BFA in Film from the Philadelphia College of Art, initially drawn to its professional potential. Over time, my artistic work receded as I focused on building a business and raising a family.

A life-threatening diagnosis in 2001 marked a turning point. During an extended and isolating recovery from a dual stem cell transplant, I returned to art with renewed urgency. Using a digital camera and laptop, I began documenting transitional urban spaces—train yards, graffiti-covered lots—drawn to their impermanence and quiet tension.

Since my 2002 debut at Agora Gallery in Chelsea, my work has continued to evolve through ongoing engagement with technology. While rooted in photography, my current practice centers increasingly on digital painting. Working primarily on the iPad, I create painterly, atmospheric compositions that merge pastel-toned landscapes with abstraction, emphasizing mood, memory, and perceptual ambiguity.

My process is intuitive and responsive. Sometimes I begin with photographic source material from my immediate environment; other times, I work directly in digital paint, letting form and color emerge organically. The resulting images occupy a space between representation and invention, where natural and constructed elements dissolve into one another.

Technology is not simply a tool but a conceptual framework within my work. I integrate photography, digital painting, and collage, and more recently engage with algorithmic systems as a form of collaboration. This dialogue between human gesture and computational process expands the boundaries of authorship while remaining grounded in intentionality.

Across all mediums, my work reflects an ongoing exploration of transformation, uncertainty, and resilience. I am drawn to spaces—both physical and psychological—where boundaries blur, and new visual languages emerge.